When I clicked on the Google search site a few days ago, I was surprised to find that Google was honoring the 117th birthday of Lotte Reiniger. Who was she? One of the early animation artists who made films out of fairy tales. Her pioneering work in the 1920s was an important part of the movement that led to the torrent of animated fairy tale films from the Disney studios and others.
Now that we are drowning in highly colored, loud, fast-paced versions of fairy tales on screens everywhere, it’s worthwhile to look back and think about how children encounter
fairy tales. For most American children—at least the ones who are lucky enough to have a parent or caregiver who reads to them—their first experience of a fairy tale is an unamplified voice telling the tale while showing still pictures in a book. Often the story is read over and over again.
Fairy tales are usually told in a bare, straightforward style. “There was once a poor widow who lived in a lonely cottage. In front of the cottage was a garden wherein stood two rose trees, one of which bore white and the other red roses.” That’s the beginning of Snow White and Rose Red and the story continues in the same bare, clean style.
Lotte Reiniger’s adaptations of fairy tales started with a silhouette animated Cinderella in 1922. You can see the short film on YouTube https://www.youtube.com/watch?v=Kku75vGDD_0 and watch how Reiniger brings the viewer into the story—showing how

the black paper is cut into figures who act out the story. The process is almost like that of a child who wants to draw pictures to illustrate the story she has just heard.
Of course Lotte Reiniger was not a child; she was a skillful artist who conceived the idea of telling a story through the traditional art of the silhouette. But unlike the silhouettes that were popular during the 18th and 19th century as portraits or as illustrations in books, Lotte Reiniger wanted to make her silhouettes move and so she invented a new form of animation.
Lotte Reiniger was born in Berlin in 1899. As a child she was attracted to art and to the movies, the new art form that was developing in Europe during the early years of the 20th century. As a young woman she worked in the movie industry and specialized in making silhouette title cards for the silent movies of the era. Then she moved on to making her own movies.
After marrying Carl Koch, a fellow artists who became her collaborator, she produced several more films in Germany. The couple left Germany when the Nazi party was rising to power, but were unable to get permanent visas to live in any other country, so for several years they lived in France, Italy and other European countries. But always they continued to work on their films. After the war, they moved to England where Lotte Reiniger made a number of silhouette films based on Grimm’s fairy tales and shown on the BBC.
Lotte Reiniger had a long and fruitful career. Her work influenced early animation films and deserves to be recognized as an important precursor to the work of later animation studios. But more than that, her films are still beautiful works of art that can be appreciated by children and adults today. Quite a few of them are available on YouTube.
Wouldn’t it be nice if today’s children could see some different ways in which fairy tales can be changed from words into pictures? Cinderella need not be the blonde glamour girl shown in American pop culture. The story doesn’t need to be puffed out with extra characters or elaborate songs. The magic is in the simple story itself. Fortunately, there are many talented artists who have given us different versions of the images our imaginations paint when we listen to the story. Thanks to Google for reminding us of the work and vision of Lotte Reiniger.
are celebrating and that is the reopening of the newly renovated San Francisco Museum of Modern Art (SFMOMA). It is a joy to visit the large, airy galleries and to see the paintings, sculptures, and photographs on exhibit. People are flocking there by the busload from California and beyond.
outbursts of colorful flowers that can be spotted by sharp-eyed visitors. Yesterday when I visited the museum, there were so many pictures being taken of people standing in front of the wall that I could almost see the flight of photos escaping from smart phones and winging their way across the country. (Fortunately no selfie sticks are allowed.)
world, the apparent naturalness of the plants was carefully planned. Each plant is nurtured by a complex watering system designed by skilled engineers to keep the plants flourishing and conserve the precious water.



City, I spent some time looking for a suitable place for the burial of a murder victim because the well-known cemetery at Trinity Church was already overcrowded. It’s doubtful that my readers would have known that, but I like to make the details in all of these stories as authentic as possible. It’s fun and I have learned so much about the 1840s, one of the most turbulent decades of the 19th century.
been read by most readers and find almost nothing. The prize-winners often languish in libraries and are assigned in classrooms, but remain unread by the majority of American readers. Instead it is genre fiction that reaches the mass of readers and enriches the authors who are lucky enough to reach huge popularity.
Christie, according to UNESCO, is the world’s most translated author? It is interesting to consider that while many prize-winning books remain unknown outside of the English-speaking world, Christie’s books have presented a version of English life to audiences around the globe.
And I’d like to offer a cheer for the British Library which has begun publishing a series of historical mystery stories that add to our knowledge about the history and background of mystery stories. Perhaps eventually they will do the same for other genre fiction.
instead of spending much of his life in prison,. Not many prisoners are as lucky. We now know that spending time in solitary leads to mental and psychological consequences that often last for a lifetime. But deciding what kind of punishment is appropriate for men and women who have committed crimes is a problem that has not yet been solved.

Glasnevin Cemetery along with many other veterans of the 1916 Easter rebellion. This tribute was one of the first steps in the national celebration Ireland is holding to commemorate the Easter uprising that happened 100 years ago.


ter uprising? A woman condemned to execution by the British army who said at her trial that “I did what I thought was right and I stand by it.” ? And finally the first woman elected to the British House of Commons?
There are few flowers that have the complicated appeal of tropical orchids. Some of us can remember the times, years ago, when girls going to their high school proms wore a wrist corsage of a purple orchid as the finishing touch to their dresses. But those days are gone and orchids today are of more interest to gardeners than to the average teenager.
The theme of the 2016 Pacific Orchid show is “The Legacy of Orchids” celebrating the dramatic effect orchids have had on society. During the 1800s, dozens of daring orchid hunters scoured the jungles of South America and Southeast Asia to find exotic orchids for Europeans and Americans to grow at home. The orchids sold for hundreds or thousands of dollars and the hunts were cut-throat battles. Some orchid hunters destroyed or burned thousands of plants in the jungles so their rivals could not find the treasures they had discovered. Scarcity kept up the price for European orchid collectors.






ideas have been accepted by mainstream thinkers. Slavery has disappeared in much of the modern world. Let’s hope that more of the climate change deniers will continue to think about the questions and ideas that he raised.