Month: April 2022

Dancing through the Pain—Tanaquil LeClercq

Adele Fasick1 Comment

Spring has arrived, bringing a feeling of hope and rebirth as flowers bloom and trees put out new leaves. It is a good time to think about people who have also managed to find a rebirth and hope after serious illness or loss. One of the most inspiring stories I’ve heard recently is about a dancer who overcame the assault of an illness that would have destroyed the lives of many others—Tanaquil LeClercq.

Born in Paris in 1929, the daughter of an American mother and a French father who was a poet and writer, Tanaquil was named after an Etruscan queen. When she was three years old, the family moved to New York. As a child, Tanaquil attended the French Lycée and began to study ballet. She won a scholarship competition at the School of American Ballet where she attracted the attention of its founder, George Balanchine.

Tanaquil LeClercq

By the time she was fifteen years old, Tanaquil began to appear in early Balanchine pieces at the Ballet Society, which later became the City Ballet. It was the beginning of a spectacular career during a time when ballet was becoming an important part of the American cultural world.  Balanchine, who had been born in Russia, and had experience in both classical ballet and in theatrical revues in London, developed a new style of ballet combining elements of traditional and modern dancing. He created a number of ballets for Tanaquil whose skills exemplified those needed in his new ballets. In 1952, he and Tanaquil were married. Both of their careers flourished.

Tanaquil LeClercq

Besides dancing in many of Balanchine’s most famous works, including “Symphony in C”, “Western Symphony” and “La Valse”, LeClercq also danced in many of the ballets choreographed by Jerome Robbins who also became a close friend. One of his most spectacular pieces was “Afternoon of a Faun” in which LeClercq dominated the stage with her long, graceful body and startling dancing.

During the 1950s, LeClercq toured with the City Ballet in America and Europe. It was on a tour in 1956, that polio found her. Although the Salk polio vaccine had become available in 1955 and most of the ballet troupe received the vaccine before leaving the U.S. on their tour, LeClercq delayed her shot saying she would get it after the flight. It was in Denmark that polio struck and LeClercq suddenly found herself placed in an Iron Lung.

The first two years after catching polio are the crucial time for regaining strength and mobility. Balanchine and LeClercq worked tirelessly together to revive the muscles that had been affected by polio. Balanchine devised special movements and exercise to restore Tanequil’s legs. He encouraged her to place her feet on his as he walked or danced, hoping that would allow her muscles to regain their strength. Being a spiritual man, he also prayed. Nothing helped. LeClercq gradually regained strength in her arms and upper body, but she was never again able to use her legs.

Both Balanchine and Jerome Robbins, LeClercq’s closest colleagues, worked hard to keep up her spirits. Robbins wrote her a letter every day during the first year of her illness. But recovery from polio is painfully slow and incomplete and as time went on, LeClercq had to struggle on by herself. She and Balanchine divorced in 1969. And gradually she and Robbins drifted further apart.

The two men continued their careers and LeClercq worked hard to develop a new one for herself. She learned how to use her arms and upper body to demonstrate dance steps and she began to coach the dancers at the City Ballet. Her biggest opportunity came when Arthur Mitchell invited her to work with his newly established Dance Theater of Harlem. There she taught classes for more than a decade and during that time she also wrote and published two books.

Although her magnificent career as a dancer was cut cruelly short, Tanaquil LeClercq built a satisfying new life defying the tragedy of polio. In 1998, City Ballet opened its 50th anniversary season with a tribute to her. LeClercq attended in her wheelchair. She died two years later at the age of 71.

LeClerc’s life has been celebrated in a documentary film “Afternoon of a Faun: Tanaquil LeClercq” (2013) which includes archival footage of her dancing as well as interviews with several people who knew her. The film can be streamed on Kanopy and other streaming services. Watching this film will allow you to spend an evening with a woman who was an amazing dancer and a gallant spirit.

Writing Poetry during Difficult Times—Anna Akhmatova

Adele Fasick1 Comment

Even though it is only the beginning of April, this year of 2022 has already brought us startling news from around the world. Western media is focused on the fighting in Ukraine as Russian troops continue to bombard cities and force thousands of people to leave their homes and seek safety elsewhere.

A hundred years ago, in 1922, things were much the same. Western newspapers were carrying stories of fighting, destruction, and hunger in Eastern Europe. The first World War had triggered a revolution in Russia. The Tzarist government fell and the Bolshevik party, under Vladimir Lenin, changed the face of Russia forever. During the early 1920s, as Lenin’s health declined, there was a struggle to take over leadership of the new government. The eventual winner of that struggle was Joseph Stalin whose power would determine the future of Russia and all of Eastern Europe for decades to come.

Russian writers and artists who had grown up during the Tsarist regime were deeply affected by this change in government; perhaps none more so than Anna Akhmatova. She had been hailed as one of Russia’s greatest poets but was to lead a very different and more difficult life under the new regime.

Anna was born near Odessa in 1889. Her father came from a Ukrainian Cossack family and was a stern, harsh man. He did not want poetry published under the family name, so at a very young age Anna chose the pen name Akhmatova, the name by which she was known for the rest of her life. Her father divorced his wife, Anna’s mother, and left the family while Anna was a child, so she grew up mostly in St. Petersburg. Her education was informal, but she soon joined a circle of young poets, artists and writers and began publishing poetry.     

When her second book of poetry,  Rosary, appeared in 1915, it became immensely popular. The poems she wrote were short lyric pieces filled with images of life and love:

Anna Akhmatova

The sun fills my room,

Yellow dust drifts aslant.

I wake up and remember:

This is your saint’s day.

(Translated by D.M. Thomas)

The poems were so popular that by 1916 many young people began playing a game called “Telling Rosary”. Someone would start reciting one of the poems and someone else would finish it. There was no shortage of fans who memorized her works.

Akhmatova flourished in the vibrant cultural world of St. Petersburg. She was young, beautiful, and fascinating to both men and women. In 1910 she married her first husband, Nikolay Gumilev, two years later their son Lev was born. During the first few years of their marriage Akhmatova continued to write and publish poetry, even after the Russian Revolution started in 1917 and brought new turmoil to the country. Although many young writers and intellectuals left Russia and moved abroad during the years of revolution, Akhmatova refused to leave. As usual, she expressed her feelings in poetry I am not one of those who left their country/ For wolves to tear it limb from limb. (Translated by D.M. Thomas)

When the revolution ended in 1921 and Lenin became the country’s leader, Akhmatova and her friends hoped that a new, more democratic society would develop. Unfortunately, when Lenin died, his leadership role was taken by Joseph Stalin, who quickly became a harsh, unforgiving dictator. Soon after he came to power, Akhmatova’s poetry was denounced as “no longer relevant.” Akhmatova began to have difficulty finding a publisher and she was unable to continue giving the public readings that had been popular and an important source of income. For more than ten years her voice was almost silenced in Russia.

During the 1920s and 1930s, Akhmatova’s personal life was difficult. She was virtually penniless for many years; her former husband, Nikolay Gumilev, was imprisoned. Their son, Lev, was denied entry into schools. Eventually he was sentenced to ten years imprisonment in Northern Siberia. Akhmatova depended on the generosity of friends and lovers for her survival. During World War II she survived the 800-day siege of Leningrad, although her health deteriorated badly. Records of these years are difficult to find because she destroyed letters and journals so the authorities could not seize them and use them to justify additional punishment for her son or their friends.

Akhmatova’s health never completely recovered after the deprivations she suffered during World War II, but after the war, her reputation and fame began to return. In 1963, her masterpiece, a series of poems called “Requiem” was published in Germany, although it was not available in Russia until after her death. In 1965, Akhmatova was nominated for the Nobel Prize in Literature and later that year she was allowed to travel to England to receive an honorary degree from Oxford University. These tributes must have been precious to her as she neared her end, but by the time they came, she was very ill. She died of a heart attack in 1966.

Since her death, Akhmatova has been recognized as one of Russia’s most important poets. She is also one of the most popular. Her poems have been published around the world in many different languages. The translations that I have included above are by D.M. Thomas and are available in the Everyman Pocket Poets series (Knopf). Various translations of her work can be found in libraries and bookstores everywhere.

Details of Akhmatova’s life are still difficult to find, but a fascinating biography Anna of All the Russians: A Life of Anna Akhmatova (Vintage 2007) is available in libraries and bookstores. Feinstein gives a good picture not only of the poet, but also of Russia and Eastern Europe during the difficult years of the early twentieth century.