Adelaide Crapsey—Scholar and Poet

Some poems seem to be spontaneous outbursts of feeling—“My heart is like a singing bird…” (Christina Rossetti) or “Fear no more the heat o’ the sun/Nor the furious winter’s rages:” (Shakespeare). But poetry is not easy. Most of the poetry that we continue to read and to love is the result of many long hours of careful work.

One of the scholars who spent years studying metrics—the way words can be put together to achieve art—was a young American poet named Adelaide Crapsey. Although she died young and her work is often forgotten, she was an important writer of the early twentieth century. Her work continues to influence many poets today.

Adelaide Crapsey

Born in Brooklyn in 1878, Adelaide Crapsey and her family soon moved to Rochester, N.Y. where her father was pastor of an Episcopal Church. She was raised in a family that valued women’s education and Adelaide was encouraged to attend Vassar College. There she had a happy and successful educational life. She was president of the Poetry Club and graduated as valedictorian in 1897.

Two of Adelaide’s sisters died while she was in college, and Adelaide herself became sick with a severe illness that was later diagnosed as tuberculosis. After recovering and spending some time teaching, she went to Europe in 1904 to study at the American Academy in Rome. Although she was very happy in Rome, family problems prompted her return to the United States in 1905. Her father was accused of heresy by the leaders of the Episcopal Diocese, and he was brought to trial in 1906. He was found guilty of refusing to support the doctrine of virgin birth and lost his position with the Church after an unsuccessful appeal. He and his family had to leave the rectory.

Despite her desire to return to Europe, Adelaide chose to stay close to her family to offer support and encouragement. She taught at a private school and also continued to work on her scholarship and writing. Eventually she was able to return to Europe for a few months and while she was there she completed her book,  A Study in English Metrics, although it was not published until after her death. She returned to America when her tuberculosis became more severe and died in 1914 at the age of 36.

Adelaide’s study of metrics led her to investigate various poetic forms such as the Japanese haiku and tanka. She invented a new form of poetry called the cinquain and much of the poetry for which she is remembered uses this form. One example is this well-known piece:

November Night

Listen…
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost-crisp’d, break from the trees
And fall.

Although Adelaide Crapsey’s poems are no longer included in many anthologies, you can find a good sample of her work at the website of the Poetry Foundation. https://www.poetryfoundation.org/poets/adelaide-crapsey

Another legacy of Adelaide Crapsey’s life is the effect her poetry has had on the teaching of poetry to school children. A simplified version of the cinquain has been introduced in many classrooms, for example:

Cinquain: (This is the format used in many schools—didactic cinquain)

  1. One word (subject)
  2. Two words
  3. Three words
  4. Four words
  5. One word (synonym for line 1 or five words to sum up the poem)

Many students, both children and adults, enjoy following this pattern and producing verses that can be satisfying both to write and to read.

Summer Beach

Ocean

Creeping waves

Tickling children’s toes,

Hurling broken shells against bare legs,

Triumph.

Adelaide Crapsey’s early death deprived the world of a notable poet, but it is some comfort to know that her work is still inspiring other writers.

Gwendolyn Brooks—A Poet for Our Times

African American women have been writing and publishing poetry since colonial times but have not always been known and acknowledged. One of our earliest poets published in the United States was Phillis Wheatley. One of the best known, and most often studied African American women poets of the 20th century has been Gwendolyn Brooks whose birthday is celebrated this month.

Gwendolyn Brooks

Born in Topeka, Kansas, in 1917, Gwendolyn moved with her family to Chicago before she was a year old, and her work and success are closely identified with that Midwestern city. From early childhood, Brooks had few doubts about her career. Her first poem was published in a children’s magazine, American Childhood,  when she was thirteen years old. She continued to write and publish poems until she died at the age of 83 in 2000.

After graduating from a community college in Chicago, she worked for the NAACP (National
Association for the Advancement of Colored People) and continued to publish poems eventually appearing in the prestigious Poetry magazine. She was invited to join a poetry workshop where she met several other important African American poets including Langston Hughes who became a lifelong friend. She married Henry Lowington Blakely, Jr. in 1931 and the couple had two children. And year after year she continued to write poetry, which met with continuing success.

Her first book of poetry, A Street in Bronzeville was published in 1945. Her poems were admired by critics, and they were also read and cherished by a large popular audience. Brooks was able to write about the people of Bronzeville with warmth and an acknowledgement of the struggles of their lives.  In her poem “Kitchenette Building”, for example, she wrote of the difficulty of dreaming big dreams in a stunted environment:

But could a dream send up through onion fumes

Its white and violet, fight with fried potatoes

And yesterday’s garbage ripening in the hall,

Flutter, or sing an aria down these rooms.

The list of Gwendolyn Brookes achievements is a long one: She won the Pulitzer Prize in 1950, the first African American to be so honored. She added many other prizes too. In 1986 she became the Poet Laureate of Illinois. She also served as a consultant to poetry in the Library of Congress and was the first African American woman inducted into the American Academy of Arts and Letters.

Now, almost 25 years after her death, she is still honored and, more important, still read. You can read many of her poems on the Poetry Foundation website. https://www.poetryfoundation.org/poets/gwendolyn-brooks, and her books are available in almost all public libraries.